Korg MonoPoly - Modifications
ATTENTION: THESE MODIFICATIONS REQUIRE TO OPEN THE CASE OF
THE MONOPOLY. THIS SHOULD ONLY BE DONE BY PEOPLE, WHO KNOW HOW TO
HANDLE THE DANGEROUS VOLTAGES INSIDE OF THE SYNTH PROPERLY WITHOUT
ENDANGERING THE LIFE OF OTHERS OR THEMSELVES!!! IF YOU DON'T HAVE THE
REQUIRED EXPERIENCE - KEEP YOUR HANDS OFF!!! DOING THE WRONG THINGS
INSIDE AN ELECTRICAL INSTRUMENT MAY KILL YOU OR PEOPLE, THAT RELY ON
YOUR WORK. I WARNED YOU. I REJECT ALL LIABILITY FOR ALL CONSEQUENCES OF
THE FOLLOWING INSTRUCTIONS!
I made the following modifications at my Korg Monopoly:
- Disable the reset of the keyboard algorithm when switching
in FX-Mode
- Disable the reset of MG2 when playing a new chord in
arpeggiator mode
- MIDI input and MIDI clock for the arpeggiator (MIDI
interface from CHD servis)
- V-Trigger to S-Trigger converter for the external
arpeggiator clock (either built-in or as adaptor cable)
- Higher speed range, adjustment of the lowest speed, and
various range settings for MG1
- Various speed settings for VCF EG and VCA EG
- Selectable modulation range for the VCF EG
- Select between MG1 or VCO4 as modulation source provided by
the modulation wheel
The modifications are described below.

The switches at the bender panel. From left to right:
|
- select between analogue and MIDI clock for the
arpeggiator
- select speed of VCA EG
- select speed of VCF EG
- select the source for the modwheel between VCO4 and
MG1
- select the speed for MG1 (three positions)
- a sixth switch will be added, which disables the MIDI
input
Of course the labeling is not adequate to the synth; I will replace the
provisional labels by a Schaeffer panel later.
|
|
|
Modifikations on KLM-356
(CPU-board)
Disabling the reset of key assign mode when
switching to effects mode
If you enable the so called effects (hard sync and
crossmodulation), then the key assign mode is resetted to unisono-mode.
This is often unwanted, especially if you use the chordmemory or the
arpeggiator in poly mode with
different VCO settings and want to extend these to sync or
crossmodulation. If you want to disable this simply cut the jumper J1
on the uP/Arpeggiator board KLM-356.

V-Trigger
to
S-Trigger
Adapter
for
the
Arpeggio
Clock
The input for the arpeggio clock
is a so call switched trigger. This means: the arpeggio will advance if
the tip of the cable is shortcut with the shaft. With normal triggers
from rhythm machines like the Roland TR-series the external arpeggio
clock will work only at the falling edge of the trigger signal or -
even worse - it will not work at all. To use the arpeggiator clock with
such a normal clock you have to convert the Voltage Trigger from these
rythm machines into a switched trigger. This can be achieved by a very
simple circuit consisting of a transistor and a resistor, which can be
found at the FAQ-page from Doepfer for example (The picture is linked
in from http://www.doepfer.de)
:
If you have your MonoPoly MIDI-fied with the MIDIKit from
HD-Elektroservis then have to use an adapter cable like described
in the picture above. If you have a standard MonoPoly, then you may add
the resistor and transistor on the pcb KLM-356:
- switch off the Monopoly and remove the powerchord from the
wall outlet
- open the frontpanel screws (if not done yet): four at the
bottom rear side and two on each front side.
- Remove four screws which hold KLM-356
- Unsolder the cable J42 which runs from the upper boarder to
the center of the pcb
- Solder a 10k resistor to the solderpoint of J42 near R40;
do not cut the legs of the resistor. You will need nearly the full
length
- Solder the transistor (any NPN 2N3904 or BC549) with its
emitter (usually the right leg if you look at the flat side) to the
other solder point of J42
- Solder the collector (left leg) of the transistor to the
left leg of transistor Q8
- Solder the basis (center leg) to the open end of the new
resistor.
- Now mount back the PCB again to the synth, close the lid,
switch the synth on and test with a V-Trigger.

The left transistor is the original Q8, the right one is the new
transistor.

This picture is intend only to show the connection of the base of the
transistor. Do not bend it really that way.
Also in the final solution the legs of the resistor should be cut to a
suitable length and the whole resistor should be mantled in a heat
shrink tube.
|
|
Modifications on the KLM 353
(LFO and Bender board)
To make those modifications you have to unmount the LFO pcb:
- switch off the Monopoly and remove the powerchord from the
wall outlet
- open the frontpanel screws (if not done yet): four at the
bottom rear side and two on each front side.
- remove the knobs for master volume, bender depth, mod wheel
depth, waveform MG1, speed MG1 and speed MG2.
- remove the screw aside the arpeggio latchmode switch
- remove all nuts from the potentiometers and the waveform
switch.
- now the pcb will be free.
To mount it again do go on in the reverse order.
Disabling clock-reset of arpeggio
in internal clock-mode
With internal clock the Arpeggio-clock from MG 2 restarts with every
new chord. I did not like that and wanted to play the arpeggio in a
continous beat, so I removed C7 on Board KLM 353. This
takes avay the reset pulse from the MG2.

various speeds for MG1
There are several reasons to modify the speed control of the modulation
generator. I really like Modulation generators with a high frequency.
Especially using them for filter modulation opens a field of vowel and
and voice sounds. On the other hand the MG1 of the MonoPoly is not very
reliable on very low speed settings. I know at least two MonoPolys,
which suffer a "freezing" MG1 at extreme low speed setting.
So I decided to modify the two parts which determine the frequency of
the MG1: Capacitor C6 defines the basic center frequency which is
modified by the potentiometer which is formed by R23, VR6 and R31. C6
is replaced by a 2.2 nF. Via a single pole double throw switch with
center off (on-off-on) the original 0.1uF or a 10uF electrolytic cap
can be added parallel. To prevent the the freeze at the extreme low
frequency R31 is increased from 47Ohm to 220Ohm.
How to...:
- Remove the KLM353 as described above
- desolder C6 but keep it a hand
- solder a 2.2nF capacitor in the location of C6
- desolder R31
- mount the pcb again to the frontpanel.
- on the solder side of the pcb solder the original 0.1uF and
a 10uF with one leg to one of the solder points of C6 (but both
caps to the same solder point).
- connect each of the open ends of these two capacitors to
the outer pins of a on-off-on SPDT-switch.
- connect the center pin of this SPDT-switch with the other
solder point of C6.
- Solder a 220Ohm resistor on the solderside of thepcb to the
solder points of R31. You may experiment with the best value. It may
vary from 47Ohm to 1kOhm. It is more a matter of taste and also a
matter whether your MG1 stops at extreme low frequencies. If it stops
make R31 larger. If it does not stop the leave it at the original
value.
The two additional capacitors for C6. The small 2n2 capacitor is
mounted at the component side (so you don't see it here). The former
original 0.1 uF (white) and the new 10uF (black and grey) are solder
with one pin to on pin of C6, the other pin is fed via the grey cable
to the switch and from there returned to the other pin of C6.
|
Modifications on KLM-355 (Filter
VCA-Board)
To make those modifications you have to unmount the VCF/VCA pcb:
- switch off the Monopoly and remove the powerchord from the
wall outlet
- open the frontpanel screws (if not done yet): four at the
bottom rear side and two on each front side.
- remove all knobs right from the VCO-volume knobs.
- remove all nuts from the potentiometers
- now the pcb will be free.
To mount it again do go on in the reverse order. If you want to mount
the pcb temporarily for testing, then it is enough to fix the nut of
the VCF Decay potentiometer.
Change the envelopes speed and
characteristics
The potentiometers for the envelope times attack, decay and release
cover a very large range. From quite short values at ~15 ms to several
seconds. Korg had to trade this wide range with two disadvantages. The
characteristic of the loading and unloading times have in the beginning
a nearly linear slope then change to the known exponential curve and
then get more linear again. If the proportion between the time
determinating capacitor and the loading/unloading variable resistors is
changed then the curve concentrates mor on the exponential part of the
curve (this is mathematically spoken not correct, but it explains the
problem better).
Also the short times, which are interesting for faster sounds of modern
electronic music are covered by the first 10% of the potentiometer
range, while the other 90% cover longer times, which I typically never
am using. As it is quite impossible to get potentiometers with
different values and characteristics, which would suite mechanically, I
decided to simply make the time determinating capacitor. This has
finally the same effect. To keep the chance to still have longer
envelope times, I made this capacitor switchable - similar to the one
for MG1 speed described above.
Also I wanted to have a more detailled resolution of smaller envelope
modulation amounts at the filter. So I made the related resistor R77
switchable to two different values.
- Remove KLM-355 from the frontpanel as described above
- Desolder R77, C23 and C25. Remember the oreintation of the
capacitors. Don't loose them - we will need them later again.
- Solder a electrolytic capacitor with 0.47uF or 1uF into the
place of C23 and C25. Watch out for the right orientation of the caps.
There is a "+" marking on the pcb. The capacitor has a stripe with "0"
on it. The leg which is closer to this "0"-stripe must be soldered to
the hole not marked with "+".
- Solder a 100K or 120K into the place of R77 (don't worry
for its orientation) (*see remark at the photo below)
- Remount KLM-355 to the frontpanel again
- Now solder the original C23 (and C25) with the positive leg
(not marked with "0") to the
original solderpoint marked with "+" (but this time from the soldering
side of the
pcb). Watch out for the right orientation!
- Connect the negative leg (marked with "0") to one pole of a
simple on/off-switch.
- Connect other pole of the switch with the other original
not marked solderpoint of the capacitor on the pcb. Since both
capacitors are connected to ground it is enough to use one wire back to
the pcb and solder this wire to both switches.
- Solder a 100K resistor with one leg to the original
solderpoint of R77 on the soldering side of the pcb (which one does not
matter) (*see remark at the photo below)
- Connect the other leg of the transistor to one pole of a
simple on/off-switch. (*see remark at the photo below)
- Connect other pole of the switch with the other original
solderpoint of R77 on the pcb. (*see remark at the photo below)
- Your done.

The two capacitors for each envelope. I did not solder the new smaller
capacitor from the component side, but also from the soldering side.
This made it easier to change between different values for evaluation.

The resistor R77 for the VCF EG Modulation amount. As you can see, I
did not add a switch, but I am content with a single value.
|
MIDI-In for the Korg MonoPoly
Yes, believe it or not: there is a MIDI-kit for the Monopoly. CHD
Elektroservis from Czechia offers a MIDI-Kit. For more details please
visit their site: http://www.chd-el.cz/index.php?id=409. In opposite
to the original instruction I did not feed the MG1/Clock-In signal to
the CHD interface board. Instead I added a switch, which selects
between the MG1/ArpClock-In signal and the clock signal from the MIDI
interface. So I can change the clock setting without the need to send
control data.

The CHD MIDI interface seated on the CPU pcb.

I mounted the MIDI socket below the Jack board.
|
MIDI-Out for the Korg MonoPoly
MIDI-Out can be achieved by a Doepfer CTM64. I did this already with my Moog Prodigy
but not yet with the Monopoly. |
The following modifications are planned or
in developement stage, but
not yet finished, or simpley not documented.
- VCO 4 as alternative modulation source for the modwheel
(filter cross modulation).
- separated triggering of envelopes
- monophonic arpeggio CV/Gate out
- polyphonic CV and GATE out.
- polyphonic vcf/vca. I am not kidding: at the moment I am in
the developement phase for an addon-pcb which replaces the original
VCF/VCA-board and converts the monopoly to a real polyphonic synth.
|